Michelle Alexandria

An LA native, Michelle Alexandria, began her career working in finance. She then took time off to study at The Sorbonne University in Paris. After several years as a financial manager for Jaguar cars, she pursued acting and began studying at the prestigious Beverly Hills Playhouse. Within a few years she gained a love for the behind-the-scenes and business side of the industry. She then advanced her film education at UCLA focusing on producing, line producing, and distribution. Michelle's producing credits include feature family film First Dog starring Eric Roberts, and Priscilla Barnes #1 on Redbox; comedy feature film, The Extendables starring Mark Dacascos, Kevin Sorbo, and Martin Kove. She also produced films in France. Her romantic comedy Coup De Foudre à Saint Germain Des Pres (English title: "Love At First Site in Paris) screened at The Cannes Film Festival. She also produced comedy Mon Pere S'Appelle Bernard starring veteran French actor Bernard Menez. More recently she produced a drama with Denise Richards and Jennifer Taylor of Two and a Half Men titled A Life Lived. Her latest film Trauma Therapy (2019) stars Chase Coleman and Brian Krause. Along with several other features she has also worked in the trenches and UPMd her own films. Michelle has been a regular attendee at the major film festivals and markets since 2002, including the Cannes Film Festival, MipCom, EFM Berlin, Ventana Sur Buenos Aires, Paris UniFrance, Sundance, and The AFM working both as a producers' rep, acquisitions, and distribution for established international distribution companies. Michelle also represents film investors, working with them to obtain strong content. Michelle also gives lectures helping film students start their career as well as consults filmmakers. Her knowledge and experience along with her well established relationships in the essential areas of film production, financing, acquisitions, and distribution makes her an invaluable asset in the entertainment industry. - IMDb Mini Biography By: P. Crane