A great number of Austrian and German actors were forced to flee their homeland during the rise of Adolf Hitler and the Nazis in the late 1930s only to find themselves smack dab in Hollywood pictures playing thoroughly nefarious Gestapo commanders. Viennese performer John Wengraf was one such actor. Born in 1897, his father was a theatre critic whose occupation obviously encouraged John's early interest in performing. His acting career began on the repertory stage in 1920, eventually becoming a member of the Vienna Volkstheater. He went on to earn a sturdy reputation as a dramatic performer both in his homeland and in Berlin. Because he was Jewishm Wengraf emigrated to England in 1933 as the Nazis began their rise to power. There he appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented, but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with Helen Hayes in "Candle in the Wind" and decided to stay in the United Stes, where he eventually was naturalized. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the Humphrey Bogart classic Sahara (1943), as well as The Boy from Stalingrad (1943), U-Boat Prisoner (1944) and Till We Meet Again (1944). In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the higher quality roles he portrayed were Morgen ist die Ewigkeit (1946); Count Von Papen in Der Fall Cicero (1952); and Ronchin in the Ethel Merman musical Madame macht Geschichte(n) (1953). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a thoroughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as Die Unbestechlichen (1959), Hawaiian Eye (1959), Solo für O.N.K.E.L. (1964) and Time Tunnel (1966). His last few films included minor roles in the war-themed Das Urteil von Nürnberg (1961), Hitler (1962) and Das Narrenschiff (1965). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974. - IMDb Mini Biography By: Gary Brumburgh / [email protected]
